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Recent Posts

Ang Lee – Exploration of Hidden Emotion
Tiananmen Square: A Stage for Political Theatre
Chris Lee 李宇春 Influencing China’s Fashion Culture and Blurring Gender Norms
Sun Ying: an icon of Chinese Dance
Shanghai Circus World Acrobatic Show
The Future of Uyghur Dance, as Characterized by 玉米提, Facing Chinese “Re-Education”
Heavy Metal Rock Music and Chinese Elements: Tang Dynasty
Triple Threat of Han Hong (韩红)
Sinophone Cinemas
The role of Kung Fu Films as China’s Soft Power
The effects Civic Osmosis and the Growth of Global Monoculture on Performance: Through the Eyes of China
Long Yun Kung Fu Troupe
Metaphors in Zhao Benshan’s Comedy Sketches
周深 (Zhou Shen)
Chinese National Symphony Orchestra: A case study in balancing Western influences and national pride
Opera of the Dragon and Opera of the Phoenix
The Rise of Underground Hip-Hop in China – The Case of The Rap of China
Ethnic Minority Music in Singing Competition Shows
The Idea of Female Liberty and Zhang Ziyi — Qinglai
Modern Art as Performance—Ai Weiwei’s Activism
Zhiyuan’s research — Square dance
Sixth Generation Film: Jia Zhangke
Performance Elements and Developing Modern Chinese Dance
128 BPM: Electronic Music in East and Southeast Asia
Mark’s Research Proposal
The Buddha Machine: An Expression of DIY and Spontaneity in Chinese Experimental Music
Which Mood of Love? Analyzing Love in Wong Kar Wai’s Films
Portrayal of Women in Chinese Martial Arts Cinema
Zhang Yimou: Breaking the Rules of Chinese Cinema
The Global Influence and Time-Transcending Significance of Kenneth Pai’s The Young Lovers’ Edition of The Peony Pavilion (Cecca Xu)