Skip to content

Contemporary Chinese Performance Culture

Student Research Projects at the University of Michigan

  • Home
  • The Course
  • Fall 2019 Student Blogs
  • Winter 2016 Student Blogs
  • Fall 2013 Student Blogs
  • Menu

Category: Fall 2013

Post navigation
← Older posts

From Chinese Punk Rock to Digital Expression: The Work of Feng Jiangzhou

Posted on December 19, 2013 by James Griffiths

Moving his career from punk beginnings to digital installations, Feng Jiangzhou has never allowed himself to commit to one idea for too long. He allows his fears, worries and obsessions Continue Reading →

Posted in Fall 2013

Underground Hip-Hop: A Voice For Many

Posted on December 18, 2013 by Andrew Kamhi

Over the past twenty years an underground hip-hop scene emerged in China. This underground hip-hop culture consists of young students and members of the young working class, who use underground Continue Reading →

Posted in Fall 2013

New Media and Digital Arts in China

Posted on December 9, 2013 by James Griffiths

My final project concerns a new Chinese Multimedia movement in the midst of a rapidly modernizing China. I will in particular look at the example of Feng Jiangzhou, who was Continue Reading →

Posted in Fall 2013

Chinese New Rock:Omnipotent Youth Society

Posted on December 4, 2013 by Yiwei Zhu

Abstract This paper serves to discuss and analyze a new pop rock band, Omnipotent Youth Society (OYS), a representative of new Chinese pop rock band after 1990’s. OYS’s songs, especially Continue Reading →

Posted in Fall 2013

How has reality television influenced contemporary Chinese performance culture?

Posted on December 2, 2013 by Christa Pok

Abstract: Through this paper, I will be analyzing the sociocultural and political influences, which have contributed to the success of reality television in China. This new form of interactive entertainment Continue Reading →

Posted in Fall 2013

“Salesman in Beijing: Intercultural exchange through drama”

Posted on December 2, 2013 by Flores Komatsu

“Salesman in Beijing: Intercultural exchange through drama” (Arthur Miller, top center, with the actors who played the Lowman family in the Chinese premiere of the play ). “Salesman in Beijing: an intercultural exchange Continue Reading →

Posted in Fall 2013

Rain of Flowers along the Silk Road

Posted on December 2, 2013 by Hao Tian

This project will focus on the performance of<Rain of Flowers along the Silk Road>. <RFSR> is a symbol of Chinese classical dance which represents the Dunhuang culture. Dunhuang culture is Continue Reading →

Posted in Fall 2013

How Chinese Mega-events helped stimulate the Chinese Economy

Posted on December 2, 2013 by Andong Dai

Hello everyone, I have conducted my research on the impact of the 2008 Beijing Olympics and 2010 Shanghai International exposition and their economic impact on China and how it acted Continue Reading →

Posted in Fall 2013

Chinese Contemporary Dance: Borrowed, Not Duplicated

Posted on December 2, 2013 by Lisa Chippi

Chinese Contemporary Dance: Borrowed, Not Duplicated .:Dance that defies cultural boundaries:. ASIAN280: Performance Culture in Contemporary China Lisa Chippi December 16, 2013 To define something as contemporary is to assign Continue Reading →

Posted in Fall 2013

The Rise and Fall of Rock in China

Posted on December 2, 2013 by Krista Landis

In the past 25 years, popular music in mainland China has gone through an immense transformation. In the 1970s, the Cultural Revolution severely limited the popular music the Chinese government Continue Reading →

Posted in Fall 2013
Post navigation
← Older posts

Recent Posts

  • Ang Lee – Exploration of Hidden Emotion
  • Tiananmen Square: A Stage for Political Theatre
  • Chris Lee 李宇春 Influencing China’s Fashion Culture and Blurring Gender Norms
  • Sun Ying: an icon of Chinese Dance
  • Shanghai Circus World Acrobatic Show
  • The Future of Uyghur Dance, as Characterized by 玉米提, Facing Chinese “Re-Education”
  • Heavy Metal Rock Music and Chinese Elements: Tang Dynasty
  • Triple Threat of Han Hong (韩红)
  • Sinophone Cinemas
  • The role of Kung Fu Films as China’s Soft Power
  • The effects Civic Osmosis and the Growth of Global Monoculture on Performance: Through the Eyes of China
  • Long Yun Kung Fu Troupe
  • Metaphors in Zhao Benshan’s Comedy Sketches
  • 周深 (Zhou Shen)
  • Chinese National Symphony Orchestra: A case study in balancing Western influences and national pride
  • Opera of the Dragon and Opera of the Phoenix
  • The Rise of Underground Hip-Hop in China – The Case of The Rap of China
  • Ethnic Minority Music in Singing Competition Shows
  • The Idea of Female Liberty and Zhang Ziyi — Qinglai
  • Modern Art as Performance—Ai Weiwei’s Activism
  • Zhiyuan’s research — Square dance
  • Sixth Generation Film: Jia Zhangke
  • Performance Elements and Developing Modern Chinese Dance
  • 128 BPM: Electronic Music in East and Southeast Asia
  • Mark’s Research Proposal
  • The Buddha Machine: An Expression of DIY and Spontaneity in Chinese Experimental Music
  • Which Mood of Love? Analyzing Love in Wong Kar Wai’s Films
  • Portrayal of Women in Chinese Martial Arts Cinema
  • Zhang Yimou: Breaking the Rules of Chinese Cinema
  • The Global Influence and Time-Transcending Significance of Kenneth Pai’s The Young Lovers’ Edition of The Peony Pavilion (Cecca Xu)

Recent Comments

    Archives

    • December 2019
    • November 2019
    • April 2016
    • December 2013

    Categories

    • Fall 2013
    • Fall 2019
    • Winter 2016

    Meta

    • Log in
    • Entries feed
    • Comments feed
    • WordPress.org
    Copyright © 2022 Contemporary Chinese Performance Culture All Rights Reserved.
    Catch Everest Theme by Catch Themes