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Category: Fall 2013

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Preservation of cultural heritage of ethnic minorities in China

Posted on December 2, 2013 by Dong Shin

China is made up of 55 different ethnic groups. Even though Han, the majority ethnic group, constitute 92% of China’s population, each minority group’s tradition and culture are very rich Continue Reading →

Posted in Fall 2013
Impression Lijiang

Impression Series Tourism Performance

Posted on December 2, 2013 by Fangzhou Xia

Impression Tourism Performance Series Introduction With the development of modern tourism in China, a new form of tourism performance called grand landscape performance came into being and became very poplar Continue Reading →

Posted in Fall 2013

Male Flexibility and Wealth-Based Love In Chinese Drama Shows

Posted on December 2, 2013 by Leslie Yu

Television is considered an important asset in today’s day and age. It is an electronic storyteller that tells of the past, present, and future. When someone turns on a TV, Continue Reading →

Posted in Fall 2013

Chinoiserie in Mandopop

Posted on December 2, 2013 by Tongyu Zhang

      Abstract   Chinoiserie in Mandopop has evoked widely repercussion in Chinese music life under the condition that the western culture invades the Chinese-speaking community, so I take Continue Reading →

Posted in Fall 2013

Gender Roles in Taiwanese Dramas

Posted on December 2, 2013 by Alba Tinelli

With the rise of the entertainment industry in East Asia, Taiwanese TV dramas and other East Asian dramas such as Japanese and Korean dramas have been rapidly climbing up to Continue Reading →

Posted in Fall 2013
http://www.screenredasia.com/movie/?view=kung_fu_hip-hop_2

‘Step Up’ of the Chinese Hip-hop Dance

Posted on December 2, 2013 by Annes Kim

Background – Hip-hop Culture Hip hop is an urban youth culture consisting of four individual art forms – rapping and beatboxing, DJing, breakdancing, and graffiti – that had emerged out Continue Reading →

Posted in Fall 2013

Comparing the development and future of Asian and Western hip-hop forms

Posted on December 2, 2013 by David Tao

Since its birth in ’70s New York City, Hip-hop/rap has been a divisive art form, alternatively praised for giving a voice to marginalized urban youth, and criticized for homophobia, misogyny, Continue Reading →

Posted in Fall 2013

Happy Camp: The Popularity of Variety Shows in China

Posted on December 2, 2013 by Ruthann Zhang

Introduction A variety show is a form of entertainment that consists of assorted, or a variety, of acts such as comedic activities and performances. Although it does not necessarily refer Continue Reading →

Posted in Fall 2013

How comedy sketch alters over time

Posted on December 2, 2013 by Weiqi Liu

                        How comedy sketch alters over time The spring festival, for Chinese people, is the most significant festival. It Continue Reading →

Posted in Fall 2013

The Hsu-nami: an Asian American performance of Chinese Experimental Music

Posted on December 2, 2013 by Chien-An Yu

    I. Introduction Under an increasingly global social network of human interactions, the emergence of experimental music reveals the possibility of merging dissonant and/or unrelated sounds to achieve compatible Continue Reading →

Posted in Fall 2013
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Recent Posts

  • Ang Lee – Exploration of Hidden Emotion
  • Tiananmen Square: A Stage for Political Theatre
  • Chris Lee 李宇春 Influencing China’s Fashion Culture and Blurring Gender Norms
  • Sun Ying: an icon of Chinese Dance
  • Shanghai Circus World Acrobatic Show
  • The Future of Uyghur Dance, as Characterized by 玉米提, Facing Chinese “Re-Education”
  • Heavy Metal Rock Music and Chinese Elements: Tang Dynasty
  • Triple Threat of Han Hong (韩红)
  • Sinophone Cinemas
  • The role of Kung Fu Films as China’s Soft Power
  • The effects Civic Osmosis and the Growth of Global Monoculture on Performance: Through the Eyes of China
  • Long Yun Kung Fu Troupe
  • Metaphors in Zhao Benshan’s Comedy Sketches
  • 周深 (Zhou Shen)
  • Chinese National Symphony Orchestra: A case study in balancing Western influences and national pride
  • Opera of the Dragon and Opera of the Phoenix
  • The Rise of Underground Hip-Hop in China – The Case of The Rap of China
  • Ethnic Minority Music in Singing Competition Shows
  • The Idea of Female Liberty and Zhang Ziyi — Qinglai
  • Modern Art as Performance—Ai Weiwei’s Activism
  • Zhiyuan’s research — Square dance
  • Sixth Generation Film: Jia Zhangke
  • Performance Elements and Developing Modern Chinese Dance
  • 128 BPM: Electronic Music in East and Southeast Asia
  • Mark’s Research Proposal
  • The Buddha Machine: An Expression of DIY and Spontaneity in Chinese Experimental Music
  • Which Mood of Love? Analyzing Love in Wong Kar Wai’s Films
  • Portrayal of Women in Chinese Martial Arts Cinema
  • Zhang Yimou: Breaking the Rules of Chinese Cinema
  • The Global Influence and Time-Transcending Significance of Kenneth Pai’s The Young Lovers’ Edition of The Peony Pavilion (Cecca Xu)

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