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Category: Fall 2019

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The effects Civic Osmosis and the Growth of Global Monoculture on Performance: Through the Eyes of China

Posted on December 2, 2019 by dmcpher

Introduction In recent history the world has gone through rapid changes.  The rise of the age of technology has changed the lives of everyone.  The world of communication and transportation Continue Reading →

Posted in Fall 2019

Long Yun Kung Fu Troupe

Posted on December 2, 2019 by ylinhtra

Introduction             Long Yun Kung Fu is a touring ensemble, consisting of members who are handpicked by the world-renowned, Jackie Chan. Members were selected as young as 11 years old Continue Reading →

Posted in Fall 2019

Metaphors in Zhao Benshan’s Comedy Sketches

Posted on December 2, 2019 by zhaoyuan

The CCTV’s Spring Festival Eve Gala (中国中央电视台春节联欢晚会) is a significantly important component of Chinese contemporary performance. Although the Gala is prominently influenced by Chinese politics, its nationwide popularity is strong Continue Reading →

Posted in Fall 2019

周深 (Zhou Shen)

Posted on November 25, 2019 by zzhenni

周珍妮 (Jane Zhou) Chinese male singer Zhou Shen began his journey to fame in 2010 as an online singer in a Chinese video-based social network called YY.com. He was born Continue Reading →

Posted in Fall 2019

Chinese National Symphony Orchestra: A case study in balancing Western influences and national pride

Posted on November 25, 2019 by rjpat

裴儒克 (Rourke Pattullo) The Chinese National Symphony Orchestra, originally founded in 1956, has long been a tool for China’s global cultural exchange. Traditionally used to exhibit the expertise of China’s Continue Reading →

Posted in Fall 2019

Opera of the Dragon and Opera of the Phoenix

Posted on November 25, 2019 by kccpliu

A story of China’s northern traditional Opera and southern traditional Opera: The cases of Yu Opera 豫剧 and Suzhou Ping Tan 苏州评弹. I will explain the differences between northern and Continue Reading →

Posted in Fall 2019

The Rise of Underground Hip-Hop in China – The Case of The Rap of China

Posted on November 25, 2019 by junsei

In China, the hip-hop culture has largely been an underground cultural form that is less known by the mainstream public. But since the summer of 2017, AiQi Yi produced a Continue Reading →

Posted in Fall 2019

Ethnic Minority Music in Singing Competition Shows

Posted on November 25, 2019 by juliawxu

Introduction As the world becomes increasingly interconnected, mainstream cultures are starting to overshadow minority cultures. This is especially true in China. Though China is a multi-ethnic country, the Han population Continue Reading →

Posted in Fall 2019
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Recent Posts

  • Ang Lee – Exploration of Hidden Emotion
  • Tiananmen Square: A Stage for Political Theatre
  • Chris Lee 李宇春 Influencing China’s Fashion Culture and Blurring Gender Norms
  • Sun Ying: an icon of Chinese Dance
  • Shanghai Circus World Acrobatic Show
  • The Future of Uyghur Dance, as Characterized by 玉米提, Facing Chinese “Re-Education”
  • Heavy Metal Rock Music and Chinese Elements: Tang Dynasty
  • Triple Threat of Han Hong (韩红)
  • Sinophone Cinemas
  • The role of Kung Fu Films as China’s Soft Power
  • The effects Civic Osmosis and the Growth of Global Monoculture on Performance: Through the Eyes of China
  • Long Yun Kung Fu Troupe
  • Metaphors in Zhao Benshan’s Comedy Sketches
  • 周深 (Zhou Shen)
  • Chinese National Symphony Orchestra: A case study in balancing Western influences and national pride
  • Opera of the Dragon and Opera of the Phoenix
  • The Rise of Underground Hip-Hop in China – The Case of The Rap of China
  • Ethnic Minority Music in Singing Competition Shows
  • The Idea of Female Liberty and Zhang Ziyi — Qinglai
  • Modern Art as Performance—Ai Weiwei’s Activism
  • Zhiyuan’s research — Square dance
  • Sixth Generation Film: Jia Zhangke
  • Performance Elements and Developing Modern Chinese Dance
  • 128 BPM: Electronic Music in East and Southeast Asia
  • Mark’s Research Proposal
  • The Buddha Machine: An Expression of DIY and Spontaneity in Chinese Experimental Music
  • Which Mood of Love? Analyzing Love in Wong Kar Wai’s Films
  • Portrayal of Women in Chinese Martial Arts Cinema
  • Zhang Yimou: Breaking the Rules of Chinese Cinema
  • The Global Influence and Time-Transcending Significance of Kenneth Pai’s The Young Lovers’ Edition of The Peony Pavilion (Cecca Xu)

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