Sinophone Cinemas

Resources

Calvin. (2010). Ice Kacang Puppy Love (初恋红豆冰): A Review. Retrieved from http://calvin-myjourney.blogspot.com/2010/10/ice-kacang-puppy-love-review.html.

Groppe, A.M. (n.d.) ‘Singlish’ and the Sinophone: Nonstandard (Chinese/english) languages in recent Singaporean Cinema. Yue, A. & Khoo, O. (Eds.), Sinophone cinemas (pp. 147-168). Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.

Khoo, O. (n.d.) Singapore, Sinophone, Nationalism: Sounds of language in the films of Tan PinPin. n Yue, A. & Khoo, O. (Eds.), Sinophone cinemas (pp. 77-97). Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.

Kuan, C.W. (2018). The articulation of anti-China-centrism in Sinophone Malaysian films. Popular Communication, 17(3), 219–232. doi: 10.1080/15405702.2018.1554809

Lim, S.H. (n.d.) The Voice of the Sinophone. Yue, A. & Khoo, O. (Eds.), Sinophone cinemas (pp. 62-76). Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.

Lu, S.H. (2012). Genealogies of Four Critical Paradigms in Chinese-Language Film Studies. In Yue, A. & Khoo, O. (Eds.), Sinophone cinemas (pp. 13-25). Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.

Wilcox, E. E. (2014). Meaning in Movement: Adaptation and the Xiqu Body in Intercultural Chinese Theatre. TDR/The Drama Review, 58(1), 42–63. doi: 10.1162/dram_a_00327.